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	<title>Sculpture - Revision history</title>
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		<title>Sarfipour at 16:46, 20 April 2026</title>
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:46, 20 April 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l18&quot;&gt;Line 18:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 18:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to Makarem Shirazi, computerized robots and dolls also fall under the category of sculpture&amp;lt;ref&amp;gt;Makarem Shirazi, Istifta’at -Jadid, Vol. 3, p. 168.&amp;lt;/ref&amp;gt;. [[Mohammad Ishaq Fayyaz]] regards the creation of sculptures of humans and their body parts as a tool for educating medical students, replacing the need for human dissection&amp;lt;ref&amp;gt;Faiyyaz, Istifta’at al-Shar&amp;#039;iyah, Vol. 1, p. 109.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to Makarem Shirazi, computerized robots and dolls also fall under the category of sculpture&amp;lt;ref&amp;gt;Makarem Shirazi, Istifta’at -Jadid, Vol. 3, p. 168.&amp;lt;/ref&amp;gt;. [[Mohammad Ishaq Fayyaz]] regards the creation of sculptures of humans and their body parts as a tool for educating medical students, replacing the need for human dissection&amp;lt;ref&amp;gt;Faiyyaz, Istifta’at al-Shar&amp;#039;iyah, Vol. 1, p. 109.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to [[Alireza A&#039;rafi]], the discussion on the prohibition and legal rulings related to sculpture was first introduced by Sheikh Mufid in the discourse of the jurists&amp;lt;ref&amp;gt;Abidinzadeh,Mujassameh wa Naqqashi: Taqrirat-e Dars-e Ayatollah A’arafi, p. 24.&amp;lt;/ref&amp;gt;. There is no independent section dedicated to sculpture in Shi’a jurisprudential sources; rather, its legal rulings are discussed within chapters on purity (including rulings on wudu)&amp;lt;ref&amp;gt;Naraghi, Mustanad al-Shi&#039;a, Vol. 2, p. 180.&amp;lt;/ref&amp;gt;, prayer (clothing and location of prayer and rulings for mosques)&amp;lt;ref&amp;gt;Najafi, Jawahir al-Kalam, Vol. 8, p. 383.&amp;lt;/ref&amp;gt;, and trade (impermissible trades)&amp;lt;ref&amp;gt;Rouhani, Fiqh al-Sadiq, Vol. 14, p. 218.&amp;lt;/ref&amp;gt;. However, Sheikh Ansari, in his book “Kitab al-Makasib,” allocates a section to examining the juristic rulings of sculpture and the rulings related to earning income through it, under the general title “Inherently forbidden sources of income.”&amp;lt;ref&amp;gt;12.	Sheikh Ansari, Kitab al-Makasib, Vol. 1, p. 183.&amp;lt;/ref&amp;gt; The discussion on the juristic rulings of sculpture has made its way into the discourse of contemporary jurists through the teaching of this book and the commentaries written on it&amp;lt;ref&amp;gt;13.	For example, see Tohidi Tabrizi, Misbah al-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fiqhaheh&lt;/del&gt;: Taqrirat-e Dars-e Ayatollah Khoei, Vol. 1, p. 353; Khomeini, Al-Makasib al-Muharramah, Vol. 1, p. 168; Montazeri, Darasat Fi al-Makasib al-Muharammah, Vol. 2, p. 541.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to [[Alireza A&#039;rafi]], the discussion on the prohibition and legal rulings related to sculpture was first introduced by Sheikh Mufid in the discourse of the jurists&amp;lt;ref&amp;gt;Abidinzadeh,Mujassameh wa Naqqashi: Taqrirat-e Dars-e Ayatollah A’arafi, p. 24.&amp;lt;/ref&amp;gt;. There is no independent section dedicated to sculpture in Shi’a jurisprudential sources; rather, its legal rulings are discussed within chapters on purity (including rulings on wudu)&amp;lt;ref&amp;gt;Naraghi, Mustanad al-Shi&#039;a, Vol. 2, p. 180.&amp;lt;/ref&amp;gt;, prayer (clothing and location of prayer and rulings for mosques)&amp;lt;ref&amp;gt;Najafi, Jawahir al-Kalam, Vol. 8, p. 383.&amp;lt;/ref&amp;gt;, and trade (impermissible trades)&amp;lt;ref&amp;gt;Rouhani, Fiqh al-Sadiq, Vol. 14, p. 218.&amp;lt;/ref&amp;gt;. However, Sheikh Ansari, in his book “Kitab al-Makasib,” allocates a section to examining the juristic rulings of sculpture and the rulings related to earning income through it, under the general title “Inherently forbidden sources of income.”&amp;lt;ref&amp;gt;12.	Sheikh Ansari, Kitab al-Makasib, Vol. 1, p. 183.&amp;lt;/ref&amp;gt; The discussion on the juristic rulings of sculpture has made its way into the discourse of contemporary jurists through the teaching of this book and the commentaries written on it&amp;lt;ref&amp;gt;13.	For example, see Tohidi Tabrizi, Misbah al-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fiqahah&lt;/ins&gt;: Taqrirat-e Dars-e Ayatollah Khoei, Vol. 1, p. 353; Khomeini, Al-Makasib al-Muharramah, Vol. 1, p. 168; Montazeri, Darasat Fi al-Makasib al-Muharammah, Vol. 2, p. 541.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Jurisprudential Discussions Focused on Sculptures of Living Beings ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Jurisprudential Discussions Focused on Sculptures of Living Beings ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l25&quot;&gt;Line 25:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 25:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Additionally, Ja’far Sobhani asserts that the statements of Abul Salah Halabi&amp;lt;ref&amp;gt;15.	Halabi, Al-Kafi fi al-Fiqh, p. 281.&amp;lt;/ref&amp;gt; and Ibn Barraj&amp;lt;ref&amp;gt;16.	Ibn Barraj, Al-Muhadhab, Vol. 1, p. 344.&amp;lt;/ref&amp;gt;, regarding the impermissibility of creating sculptures apply even to sculptures of non-living beings&amp;lt;ref&amp;gt;17.	Ya&amp;#039;qoubi Isfahani, Al-Mawahib fi Tahreer Maksab al-Muharramah, p. 377.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Additionally, Ja’far Sobhani asserts that the statements of Abul Salah Halabi&amp;lt;ref&amp;gt;15.	Halabi, Al-Kafi fi al-Fiqh, p. 281.&amp;lt;/ref&amp;gt; and Ibn Barraj&amp;lt;ref&amp;gt;16.	Ibn Barraj, Al-Muhadhab, Vol. 1, p. 344.&amp;lt;/ref&amp;gt;, regarding the impermissibility of creating sculptures apply even to sculptures of non-living beings&amp;lt;ref&amp;gt;17.	Ya&amp;#039;qoubi Isfahani, Al-Mawahib fi Tahreer Maksab al-Muharramah, p. 377.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Fatwas and Reasons for Prohibition and its Exceptions ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Fatwas and Reasons for Prohibition and its Exceptions ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to Sheikh Ansari, the prohibition of crafting sculptures of living beings is generally accepted among Shi’a jurists&amp;lt;ref&amp;gt;18.	Sheikh Ansari, Kitab al-Makasib, Vol. 14, p. 183.&amp;lt;/ref&amp;gt;, a view also embraced by Sunni scholars, as stated by [[Sayyid Abolqassem Musavi Khoei]]&amp;lt;ref&amp;gt;	Tohidi Tabrizi, Misbah al-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fiqhaheh&lt;/del&gt;, Vol. 1, p. 353.&amp;lt;/ref&amp;gt;. Among contemporaries, jurists such as Sayyid Abolqassem Musavi Khoei&amp;lt;ref&amp;gt;20.	Khoei, Tawzih al-Masa&#039;il, p. 262.&amp;lt;/ref&amp;gt;, [[Sayyid Ali Sistani]]&amp;lt;ref&amp;gt;21.	Sistani, Tawzih al-Masa&#039;il, p. 423.&amp;lt;/ref&amp;gt;, Sayyid Ruhollah Khomeini&amp;lt;ref&amp;gt;22.	Khomeini, Tahreer al-Wasilah, Vol. 1, p. 472.&amp;lt;/ref&amp;gt;, [[Mohammad Ishaq Fayaz]]&amp;lt;ref&amp;gt;23.	Fayyaz, Al-Istifta&#039;at al-Shar&#039;iyyah, Vol. 2, p. 13.&amp;lt;/ref&amp;gt;, [[Sayyid Mousa Shubairi Zanjani]]&amp;lt;ref&amp;gt;24.	Shobeiri Zanjani, Tawzih al-Masa&#039;il, p. 80.&amp;lt;/ref&amp;gt;, [[Naser Makarem Shirazi]]&amp;lt;ref&amp;gt;25.	Makarem Shirazi, Istifta&#039;at Jadid, Vol. 1, p. 158.&amp;lt;/ref&amp;gt;, and [[Lotfollah Safi Golpaygani]]&amp;lt;ref&amp;gt;26.	Safi Golpaygani, Tawzih al-Masa&#039;il, p. 409.&amp;lt;/ref&amp;gt; have all deemed crafting sculptures of living beings, such as humans and animals, as prohibited.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to Sheikh Ansari, the prohibition of crafting sculptures of living beings is generally accepted among Shi’a jurists&amp;lt;ref&amp;gt;18.	Sheikh Ansari, Kitab al-Makasib, Vol. 14, p. 183.&amp;lt;/ref&amp;gt;, a view also embraced by Sunni scholars, as stated by [[Sayyid Abolqassem Musavi Khoei]]&amp;lt;ref&amp;gt;	Tohidi Tabrizi, Misbah al-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fiqahah&lt;/ins&gt;, Vol. 1, p. 353.&amp;lt;/ref&amp;gt;. Among contemporaries, jurists such as Sayyid Abolqassem Musavi Khoei&amp;lt;ref&amp;gt;20.	Khoei, Tawzih al-Masa&#039;il, p. 262.&amp;lt;/ref&amp;gt;, [[Sayyid Ali Sistani]]&amp;lt;ref&amp;gt;21.	Sistani, Tawzih al-Masa&#039;il, p. 423.&amp;lt;/ref&amp;gt;, Sayyid Ruhollah Khomeini&amp;lt;ref&amp;gt;22.	Khomeini, Tahreer al-Wasilah, Vol. 1, p. 472.&amp;lt;/ref&amp;gt;, [[Mohammad Ishaq Fayaz]]&amp;lt;ref&amp;gt;23.	Fayyaz, Al-Istifta&#039;at al-Shar&#039;iyyah, Vol. 2, p. 13.&amp;lt;/ref&amp;gt;, [[Sayyid Mousa Shubairi Zanjani]]&amp;lt;ref&amp;gt;24.	Shobeiri Zanjani, Tawzih al-Masa&#039;il, p. 80.&amp;lt;/ref&amp;gt;, [[Naser Makarem Shirazi]]&amp;lt;ref&amp;gt;25.	Makarem Shirazi, Istifta&#039;at Jadid, Vol. 1, p. 158.&amp;lt;/ref&amp;gt;, and [[Lotfollah Safi Golpaygani]]&amp;lt;ref&amp;gt;26.	Safi Golpaygani, Tawzih al-Masa&#039;il, p. 409.&amp;lt;/ref&amp;gt; have all deemed crafting sculptures of living beings, such as humans and animals, as prohibited.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Evidence of Prohibition  ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Evidence of Prohibition  ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Those jurists who advocate for the prohibition of crafting sculptures of living beings have focused solely on the matters mentioned in the textual evidence (Qur’an, narrations, and traditions), considering them the subject of the ruling and regarding them as what God intended. Most jurists who approve of sculpture creation do not consider these matters as independent but rather take into consideration broader concepts like “[practices] misleading from the path of God,” and criteria such as “idolatry,” “mimicking the Creator,” or “imitating polytheists” and have permitted creation of sculptures in the absence of these specific concepts and criteria. Accordingly, jurists have relied on narrative reasoning, namely narrations, and rational reasoning, like consensus [among jurists], to deduce the legal ruling on sculpture.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Those jurists who advocate for the prohibition of crafting sculptures of living beings have focused solely on the matters mentioned in the textual evidence (Qur’an, narrations, and traditions), considering them the subject of the ruling and regarding them as what God intended. Most jurists who approve of sculpture creation do not consider these matters as independent but rather take into consideration broader concepts like “[practices] misleading from the path of God,” and criteria such as “idolatry,” “mimicking the Creator,” or “imitating polytheists” and have permitted creation of sculptures in the absence of these specific concepts and criteria. Accordingly, jurists have relied on narrative reasoning, namely narrations, and rational reasoning, like consensus [among jurists], to deduce the legal ruling on sculpture.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==== Narrations  ====&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==== Narrations  ====&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The most important reason that jurists have relied on to examine the ruling of sculpting is narrations&amp;lt;ref&amp;gt;	Najafi, Jawahir al-Kalam, Vol. 22, p. 41.&amp;lt;/ref&amp;gt;. [[Sayyid Abolqassem Musavi Khoei]] considers narrations from both Sunni and Shia sources regarding the prohibition of sculpture living beings as beneficial&amp;lt;ref&amp;gt;28.	Tohidi Tabrizi, Misbah al-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fuqaheh&lt;/del&gt;, Vol. 1, p. 359.&amp;lt;/ref&amp;gt;, meanwhile [[Sayyid Mohammad Sadeq Rohani]] has categorized such narrations into four main groups:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The most important reason that jurists have relied on to examine the ruling of sculpting is narrations&amp;lt;ref&amp;gt;	Najafi, Jawahir al-Kalam, Vol. 22, p. 41.&amp;lt;/ref&amp;gt;. [[Sayyid Abolqassem Musavi Khoei]] considers narrations from both Sunni and Shia sources regarding the prohibition of sculpture living beings as beneficial&amp;lt;ref&amp;gt;28.	Tohidi Tabrizi, Misbah al-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fiqahah&lt;/ins&gt;, Vol. 1, p. 359.&amp;lt;/ref&amp;gt;, meanwhile [[Sayyid Mohammad Sadeq Rohani]] has categorized such narrations into four main groups:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1.	Narrations indicating an absolute prohibition of images, whether sculptures or paintings, and whether representing living or non-living beings. For example, a narration by from Imam Sadiq (AS) narrated by Muhammad ibn Muslim explicitly forbids all forms of image-making (sculpture and painting)&amp;lt;ref&amp;gt;29.	Rouhani, Fiqh al-Sadiq, Vol. 14, p. 218; Nuri, Mustadrak al-Wasail, Vol. 13, p. 210.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1.	Narrations indicating an absolute prohibition of images, whether sculptures or paintings, and whether representing living or non-living beings. For example, a narration by from Imam Sadiq (AS) narrated by Muhammad ibn Muslim explicitly forbids all forms of image-making (sculpture and painting)&amp;lt;ref&amp;gt;29.	Rouhani, Fiqh al-Sadiq, Vol. 14, p. 218; Nuri, Mustadrak al-Wasail, Vol. 13, p. 210.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l61&quot;&gt;Line 61:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 61:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Many jurists who have issued fatwas permitting sculpture base the reason for its prohibition on criteria derived from narrations. They argue that if these criteria are not present, even crafting sculptures of living beings is considered permissible. Some of these viewpoints are as follows:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Many jurists who have issued fatwas permitting sculpture base the reason for its prohibition on criteria derived from narrations. They argue that if these criteria are not present, even crafting sculptures of living beings is considered permissible. Some of these viewpoints are as follows:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;•	According to Hussein Ali Montazeri, the prohibition of sculpture creation and similar acts in narrations is due to the fact that, at the time these narrations were issued, crafting sculptures was associated with worshipping beings other than God and associating partners to Him. Therefore, if sculpture does not serve this purpose and solely has artistic and cultural aspects, it is considered permissible&amp;lt;ref&amp;gt;Tohidi Tabrizi, Misbah al-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fuqaheh&lt;/del&gt;, Vol. 1, p. 369; Safi Golpaygani, Jame&#039; al-Ahkam, Vol. 1, p. 307; Ya&#039;qoubi Isfahani, Al-Mawahib fi Tahreer Ahkam al-Makasib, p. 399.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;•	According to Hussein Ali Montazeri, the prohibition of sculpture creation and similar acts in narrations is due to the fact that, at the time these narrations were issued, crafting sculptures was associated with worshipping beings other than God and associating partners to Him. Therefore, if sculpture does not serve this purpose and solely has artistic and cultural aspects, it is considered permissible&amp;lt;ref&amp;gt;Tohidi Tabrizi, Misbah al-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fiqahah&lt;/ins&gt;, Vol. 1, p. 369; Safi Golpaygani, Jame&#039; al-Ahkam, Vol. 1, p. 307; Ya&#039;qoubi Isfahani, Al-Mawahib fi Tahreer Ahkam al-Makasib, p. 399.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;•	[[Mohammad-Ebrahim Jannati Shahroudi]] considers sculpture creation as one of the valuable arts and argues that, since sculpture in the Islamic Republic of Iran today does not have any impure motives or polytheistic inclinations, the act is permissible&amp;lt;ref&amp;gt;Safi Golpaygani, Jame&amp;#039; al-Ahkam, Vol. 1, p. 308.&amp;lt;/ref&amp;gt;. However, he emphasizes that crafting sculptures for the purpose of worship, veneration, and imitating idolaters and polytheists is prohibited&amp;lt;ref&amp;gt;	Montazeri, Risaleh Istifta&amp;#039;at, Vol. 2, p. 325.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;•	[[Mohammad-Ebrahim Jannati Shahroudi]] considers sculpture creation as one of the valuable arts and argues that, since sculpture in the Islamic Republic of Iran today does not have any impure motives or polytheistic inclinations, the act is permissible&amp;lt;ref&amp;gt;Safi Golpaygani, Jame&amp;#039; al-Ahkam, Vol. 1, p. 308.&amp;lt;/ref&amp;gt;. However, he emphasizes that crafting sculptures for the purpose of worship, veneration, and imitating idolaters and polytheists is prohibited&amp;lt;ref&amp;gt;	Montazeri, Risaleh Istifta&amp;#039;at, Vol. 2, p. 325.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l75&quot;&gt;Line 75:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 75:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition to discussing the fundamental ruling on sculpture, jurists have also addressed related topics such as the “keeping, buying and selling of sculptures” and “destroying sculptures.”&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition to discussing the fundamental ruling on sculpture, jurists have also addressed related topics such as the “keeping, buying and selling of sculptures” and “destroying sculptures.”&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Keeping, Buying, and Selling Sculptures: ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Keeping, Buying, and Selling Sculptures: ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Most jurists have considered buying, selling, and keeping sculptures, even those depicting living beings, as permissible&amp;lt;ref&amp;gt;Tabrizi, Tawzih al-Masa&#039;il, p. 358.&amp;lt;/ref&amp;gt;. According to Khoei, the available evidence only indicates the prohibition of sculpture making, and there is no evidence prohibiting its keeping, buying, and selling&amp;lt;ref&amp;gt;51.	For example, see Khoei, Tawzih al-Masa&#039;il, p. 356; Tohidi Tabrizi, Misbah al-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fuqaheh&lt;/del&gt;, Vol. 1, p. 382; Sistani, Tawzih al-Masa&#039;il, p. 423; Khomeini, Tawzih al-Masa&#039;il, p. 275; Vahid Khorasani, Tawzih al-Masa&#039;il, p. 582; Fazel Lankarani, Tawzih al-Masa&#039;il, p. 395; Shobeiri Zanjani, Tawzih al-Masa&#039;il, p. 80.&amp;lt;/ref&amp;gt;. Among contemporary jurists, figures like [[Lotfollah Safi Golpaygani]] and Naser Makarem Shirazi have deemed buying, selling, and owning sculptures of living beings, earning a living out of it and earning wages by making sculptures as prohibited&amp;lt;ref&amp;gt;	Tohidi Tabrizi, Misbah al-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fuqaheh&lt;/del&gt;, Vol. 1, p. 240.&amp;lt;/ref&amp;gt;. Sheikh Ansari considers keeping, buying, and selling sculptures of living beings as disliked (makruh)&amp;lt;ref&amp;gt;Sheikh Ansari, Kitab al-Makasib, Vol. 1, p. 197.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Most jurists have considered buying, selling, and keeping sculptures, even those depicting living beings, as permissible&amp;lt;ref&amp;gt;Tabrizi, Tawzih al-Masa&#039;il, p. 358.&amp;lt;/ref&amp;gt;. According to Khoei, the available evidence only indicates the prohibition of sculpture making, and there is no evidence prohibiting its keeping, buying, and selling&amp;lt;ref&amp;gt;51.	For example, see Khoei, Tawzih al-Masa&#039;il, p. 356; Tohidi Tabrizi, Misbah al-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fiqahah&lt;/ins&gt;, Vol. 1, p. 382; Sistani, Tawzih al-Masa&#039;il, p. 423; Khomeini, Tawzih al-Masa&#039;il, p. 275; Vahid Khorasani, Tawzih al-Masa&#039;il, p. 582; Fazel Lankarani, Tawzih al-Masa&#039;il, p. 395; Shobeiri Zanjani, Tawzih al-Masa&#039;il, p. 80.&amp;lt;/ref&amp;gt;. Among contemporary jurists, figures like [[Lotfollah Safi Golpaygani]] and Naser Makarem Shirazi have deemed buying, selling, and owning sculptures of living beings, earning a living out of it and earning wages by making sculptures as prohibited&amp;lt;ref&amp;gt;	Tohidi Tabrizi, Misbah al-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fiqahah&lt;/ins&gt;, Vol. 1, p. 240.&amp;lt;/ref&amp;gt;. Sheikh Ansari considers keeping, buying, and selling sculptures of living beings as disliked (makruh)&amp;lt;ref&amp;gt;Sheikh Ansari, Kitab al-Makasib, Vol. 1, p. 197.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Destroying Sculptures: ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Destroying Sculptures: ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l110&quot;&gt;Line 110:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 110:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Bukhari, Muhammad ibn Ismail, Sahih Bukhari, Damascus, Dar Tawq al-Najah, 1st edition, 1422 AH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Bukhari, Muhammad ibn Ismail, Sahih Bukhari, Damascus, Dar Tawq al-Najah, 1st edition, 1422 AH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Tabrizi, Mirza Javad, Tawzih al-Masa&amp;#039;il, Qom, Hijrat Publications, 1382 SH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Tabrizi, Mirza Javad, Tawzih al-Masa&amp;#039;il, Qom, Hijrat Publications, 1382 SH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Tohidi Tabrizi, Muhammad Ali, Misbah al-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fuqaheh&lt;/del&gt;: Taqrirat-e Dars-e Ayatollah Khoei, Qom, Davari Publications, 1st edition, 1377 SH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Tohidi Tabrizi, Muhammad Ali, Misbah al-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fiqahah&lt;/ins&gt;: Taqrirat-e Dars-e Ayatollah Khoei, Qom, Davari Publications, 1st edition, 1377 SH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	al-Jaziri, Abd al-Rahman, Kitab al-Fiqh &amp;#039;ala al-Madahib al-Arba&amp;#039;ah, Beirut, Dar al-Kutub al-&amp;#039;Ilmiyah, 1424 AH.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	al-Jaziri, Abd al-Rahman, Kitab al-Fiqh &amp;#039;ala al-Madahib al-Arba&amp;#039;ah, Beirut, Dar al-Kutub al-&amp;#039;Ilmiyah, 1424 AH.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Janati, Muhammad Ibrahim, &amp;quot; Nazariyeh Ijtihadi Tafri’ei va Tatbighi,&amp;quot; Political Science, No. 21, 1382 SH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Janati, Muhammad Ibrahim, &amp;quot; Nazariyeh Ijtihadi Tafri’ei va Tatbighi,&amp;quot; Political Science, No. 21, 1382 SH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sarfipour</name></author>
	</entry>
	<entry>
		<id>https://ency.feqhemoaser.com/en/index.php?title=Sculpture&amp;diff=2365&amp;oldid=prev</id>
		<title>Sarfipour: /* Study Resources */</title>
		<link rel="alternate" type="text/html" href="https://ency.feqhemoaser.com/en/index.php?title=Sculpture&amp;diff=2365&amp;oldid=prev"/>
		<updated>2026-04-20T16:42:52Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Study Resources&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:42, 20 April 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l63&quot;&gt;Line 63:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 63:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;•	According to Hussein Ali Montazeri, the prohibition of sculpture creation and similar acts in narrations is due to the fact that, at the time these narrations were issued, crafting sculptures was associated with worshipping beings other than God and associating partners to Him. Therefore, if sculpture does not serve this purpose and solely has artistic and cultural aspects, it is considered permissible&amp;lt;ref&amp;gt;Tohidi Tabrizi, Misbah al-Fuqaheh, Vol. 1, p. 369; Safi Golpaygani, Jame&amp;#039; al-Ahkam, Vol. 1, p. 307; Ya&amp;#039;qoubi Isfahani, Al-Mawahib fi Tahreer Ahkam al-Makasib, p. 399.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;•	According to Hussein Ali Montazeri, the prohibition of sculpture creation and similar acts in narrations is due to the fact that, at the time these narrations were issued, crafting sculptures was associated with worshipping beings other than God and associating partners to Him. Therefore, if sculpture does not serve this purpose and solely has artistic and cultural aspects, it is considered permissible&amp;lt;ref&amp;gt;Tohidi Tabrizi, Misbah al-Fuqaheh, Vol. 1, p. 369; Safi Golpaygani, Jame&amp;#039; al-Ahkam, Vol. 1, p. 307; Ya&amp;#039;qoubi Isfahani, Al-Mawahib fi Tahreer Ahkam al-Makasib, p. 399.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;•	Mohammad &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ibrahim &lt;/del&gt;Jannati considers sculpture creation as one of the valuable arts and argues that, since sculpture in the Islamic Republic of Iran today does not have any impure motives or polytheistic inclinations, the act is permissible&amp;lt;ref&amp;gt;Safi Golpaygani, Jame&#039; al-Ahkam, Vol. 1, p. 308.&amp;lt;/ref&amp;gt;. However, he emphasizes that crafting sculptures for the purpose of worship, veneration, and imitating idolaters and polytheists is prohibited&amp;lt;ref&amp;gt;	Montazeri, Risaleh Istifta&#039;at, Vol. 2, p. 325.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;•	&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Mohammad&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;-Ebrahim &lt;/ins&gt;Jannati &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shahroudi]] &lt;/ins&gt;considers sculpture creation as one of the valuable arts and argues that, since sculpture in the Islamic Republic of Iran today does not have any impure motives or polytheistic inclinations, the act is permissible&amp;lt;ref&amp;gt;Safi Golpaygani, Jame&#039; al-Ahkam, Vol. 1, p. 308.&amp;lt;/ref&amp;gt;. However, he emphasizes that crafting sculptures for the purpose of worship, veneration, and imitating idolaters and polytheists is prohibited&amp;lt;ref&amp;gt;	Montazeri, Risaleh Istifta&#039;at, Vol. 2, p. 325.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;•	Mohammad Javad Moghniyah believes that if sculpture making is not done for illegitimate purposes but serves intellectual goals, such as highlighting the grandeur and glory of civilizations and their history, it is not problematic&amp;lt;ref&amp;gt;	Janati, Nazariyeh Ijtihadi Tafri’ei va Tatbighi, p. 38.&amp;lt;/ref&amp;gt;. He also believes that the fatwas prohibiting sculpture lack evidence and are simply precautionary&amp;lt;ref&amp;gt;Janati, Nazariyeh Ijtihadi Tafri’ei va Tatbighi, p. 38; Hosseini, Jawaz Mujassameh-Sazi va Naqashi, p. 213.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;•	Mohammad Javad Moghniyah believes that if sculpture making is not done for illegitimate purposes but serves intellectual goals, such as highlighting the grandeur and glory of civilizations and their history, it is not problematic&amp;lt;ref&amp;gt;	Janati, Nazariyeh Ijtihadi Tafri’ei va Tatbighi, p. 38.&amp;lt;/ref&amp;gt;. He also believes that the fatwas prohibiting sculpture lack evidence and are simply precautionary&amp;lt;ref&amp;gt;Janati, Nazariyeh Ijtihadi Tafri’ei va Tatbighi, p. 38; Hosseini, Jawaz Mujassameh-Sazi va Naqashi, p. 213.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sarfipour</name></author>
	</entry>
	<entry>
		<id>https://ency.feqhemoaser.com/en/index.php?title=Sculpture&amp;diff=2364&amp;oldid=prev</id>
		<title>Sarfipour: /* Study Resources */</title>
		<link rel="alternate" type="text/html" href="https://ency.feqhemoaser.com/en/index.php?title=Sculpture&amp;diff=2364&amp;oldid=prev"/>
		<updated>2026-04-20T16:05:16Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Study Resources&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:05, 20 April 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l136&quot;&gt;Line 136:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 136:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Kulayni, Muhammad ibn Ya&amp;#039;qub, Al-Kafi, Qom, Dar al-Hadith, 1st edition, 1387 SH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Kulayni, Muhammad ibn Ya&amp;#039;qub, Al-Kafi, Qom, Dar al-Hadith, 1st edition, 1387 SH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Mujassameh-sazi va Hunarhay Tajassumi, Website of Grand Ayatollah Sanei, Date of Access: 30 Shahrivar 1400 SH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Mujassameh-sazi va Hunarhay Tajassumi, Website of Grand Ayatollah Sanei, Date of Access: 30 Shahrivar 1400 SH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Muhaqqeq &lt;/del&gt;Karaki, Ali ibn Hussein, Jame&#039; al-Maqasid, Qom, Al al-Bayt Institute, 2nd edition, 1414 AH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mohaqqeq &lt;/ins&gt;Karaki, Ali ibn Hussein, Jame&#039; al-Maqasid, Qom, Al al-Bayt Institute, 2nd edition, 1414 AH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Mughniyah, Muhammad Jawad, Falsafat Islamiyyah, Beirut, 6th edition, 1993 CE.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Mughniyah, Muhammad Jawad, Falsafat Islamiyyah, Beirut, 6th edition, 1993 CE.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Makarem Shirazi, Naser, Estifta&amp;#039;at Jadid, Qom, Madrasat al-Imam Ali ibn Abi Talib (AS), 2nd edition, 1427 AH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Makarem Shirazi, Naser, Estifta&amp;#039;at Jadid, Qom, Madrasat al-Imam Ali ibn Abi Talib (AS), 2nd edition, 1427 AH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sarfipour</name></author>
	</entry>
	<entry>
		<id>https://ency.feqhemoaser.com/en/index.php?title=Sculpture&amp;diff=2362&amp;oldid=prev</id>
		<title>Sarfipour: /* Study Resources */</title>
		<link rel="alternate" type="text/html" href="https://ency.feqhemoaser.com/en/index.php?title=Sculpture&amp;diff=2362&amp;oldid=prev"/>
		<updated>2026-04-20T15:54:56Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Study Resources&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:54, 20 April 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l125&quot;&gt;Line 125:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 125:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Shubairi Zanjani, Sayyid Mousa, Tawzih al-Masa&amp;#039;il, Qom, Wila Research Institute, 1384 SH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Shubairi Zanjani, Sayyid Mousa, Tawzih al-Masa&amp;#039;il, Qom, Wila Research Institute, 1384 SH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Sheikh Ansari, Morteza, Kitab al-Makasib, Qom, Bagheri Publications, 1415 AH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Sheikh Ansari, Morteza, Kitab al-Makasib, Qom, Bagheri Publications, 1415 AH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Safi Golpaygani, Jame&#039; al-Ahkam, Qom, Office for the Compilation and Publication of the Works of Ayatollah Safi Golpaygani, 1385 SH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Safi Golpaygani, Jame&#039; al-Ahkam, Qom, Office for the Compilation and Publication of the Works of Ayatollah &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lotfollah &lt;/ins&gt;Safi Golpaygani, 1385 SH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Safi Golpaygani, Lotfollah, Tawzih al-Masa&amp;#039;il, Mehr Publications, 1414 AH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Safi Golpaygani, Lotfollah, Tawzih al-Masa&amp;#039;il, Mehr Publications, 1414 AH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Safi Golpaygani, Lotfollah, Hidayat al-‘Ibad, Qom, Dar al-Qur&amp;#039;an al-Karim, 1416 AH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Safi Golpaygani, Lotfollah, Hidayat al-‘Ibad, Qom, Dar al-Qur&amp;#039;an al-Karim, 1416 AH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sarfipour</name></author>
	</entry>
	<entry>
		<id>https://ency.feqhemoaser.com/en/index.php?title=Sculpture&amp;diff=2361&amp;oldid=prev</id>
		<title>Sarfipour: /* Study Resources */</title>
		<link rel="alternate" type="text/html" href="https://ency.feqhemoaser.com/en/index.php?title=Sculpture&amp;diff=2361&amp;oldid=prev"/>
		<updated>2026-04-20T15:53:32Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Study Resources&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:53, 20 April 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l25&quot;&gt;Line 25:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 25:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Additionally, Ja’far Sobhani asserts that the statements of Abul Salah Halabi&amp;lt;ref&amp;gt;15.	Halabi, Al-Kafi fi al-Fiqh, p. 281.&amp;lt;/ref&amp;gt; and Ibn Barraj&amp;lt;ref&amp;gt;16.	Ibn Barraj, Al-Muhadhab, Vol. 1, p. 344.&amp;lt;/ref&amp;gt;, regarding the impermissibility of creating sculptures apply even to sculptures of non-living beings&amp;lt;ref&amp;gt;17.	Ya&amp;#039;qoubi Isfahani, Al-Mawahib fi Tahreer Maksab al-Muharramah, p. 377.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Additionally, Ja’far Sobhani asserts that the statements of Abul Salah Halabi&amp;lt;ref&amp;gt;15.	Halabi, Al-Kafi fi al-Fiqh, p. 281.&amp;lt;/ref&amp;gt; and Ibn Barraj&amp;lt;ref&amp;gt;16.	Ibn Barraj, Al-Muhadhab, Vol. 1, p. 344.&amp;lt;/ref&amp;gt;, regarding the impermissibility of creating sculptures apply even to sculptures of non-living beings&amp;lt;ref&amp;gt;17.	Ya&amp;#039;qoubi Isfahani, Al-Mawahib fi Tahreer Maksab al-Muharramah, p. 377.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Fatwas and Reasons for Prohibition and its Exceptions ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Fatwas and Reasons for Prohibition and its Exceptions ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to Sheikh Ansari, the prohibition of crafting sculptures of living beings is generally accepted among Shi’a jurists&amp;lt;ref&amp;gt;18.	Sheikh Ansari, Kitab al-Makasib, Vol. 14, p. 183.&amp;lt;/ref&amp;gt;, a view also embraced by Sunni scholars, as stated by [[Sayyid Abolqassem Musavi Khoei]]&amp;lt;ref&amp;gt;	Tohidi Tabrizi, Misbah al-Fiqhaheh, Vol. 1, p. 353.&amp;lt;/ref&amp;gt;. Among contemporaries, jurists such as Sayyid Abolqassem Musavi Khoei&amp;lt;ref&amp;gt;20.	Khoei, Tawzih al-Masa&#039;il, p. 262.&amp;lt;/ref&amp;gt;, [[Sayyid Ali Sistani]]&amp;lt;ref&amp;gt;21.	Sistani, Tawzih al-Masa&#039;il, p. 423.&amp;lt;/ref&amp;gt;, Sayyid Ruhollah Khomeini&amp;lt;ref&amp;gt;22.	Khomeini, Tahreer al-Wasilah, Vol. 1, p. 472.&amp;lt;/ref&amp;gt;, [[Mohammad Ishaq Fayaz]]&amp;lt;ref&amp;gt;23.	Fayyaz, Al-Istifta&#039;at al-Shar&#039;iyyah, Vol. 2, p. 13.&amp;lt;/ref&amp;gt;, [[Sayyid Mousa Shubairi Zanjani]]&amp;lt;ref&amp;gt;24.	Shobeiri Zanjani, Tawzih al-Masa&#039;il, p. 80.&amp;lt;/ref&amp;gt;, [[Naser Makarem Shirazi]]&amp;lt;ref&amp;gt;25.	Makarem Shirazi, Istifta&#039;at Jadid, Vol. 1, p. 158.&amp;lt;/ref&amp;gt;, and [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lutfullah &lt;/del&gt;Safi &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Golpayegani&lt;/del&gt;]]&amp;lt;ref&amp;gt;26.	Safi Golpaygani, Tawzih al-Masa&#039;il, p. 409.&amp;lt;/ref&amp;gt; have all deemed crafting sculptures of living beings, such as humans and animals, as prohibited.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to Sheikh Ansari, the prohibition of crafting sculptures of living beings is generally accepted among Shi’a jurists&amp;lt;ref&amp;gt;18.	Sheikh Ansari, Kitab al-Makasib, Vol. 14, p. 183.&amp;lt;/ref&amp;gt;, a view also embraced by Sunni scholars, as stated by [[Sayyid Abolqassem Musavi Khoei]]&amp;lt;ref&amp;gt;	Tohidi Tabrizi, Misbah al-Fiqhaheh, Vol. 1, p. 353.&amp;lt;/ref&amp;gt;. Among contemporaries, jurists such as Sayyid Abolqassem Musavi Khoei&amp;lt;ref&amp;gt;20.	Khoei, Tawzih al-Masa&#039;il, p. 262.&amp;lt;/ref&amp;gt;, [[Sayyid Ali Sistani]]&amp;lt;ref&amp;gt;21.	Sistani, Tawzih al-Masa&#039;il, p. 423.&amp;lt;/ref&amp;gt;, Sayyid Ruhollah Khomeini&amp;lt;ref&amp;gt;22.	Khomeini, Tahreer al-Wasilah, Vol. 1, p. 472.&amp;lt;/ref&amp;gt;, [[Mohammad Ishaq Fayaz]]&amp;lt;ref&amp;gt;23.	Fayyaz, Al-Istifta&#039;at al-Shar&#039;iyyah, Vol. 2, p. 13.&amp;lt;/ref&amp;gt;, [[Sayyid Mousa Shubairi Zanjani]]&amp;lt;ref&amp;gt;24.	Shobeiri Zanjani, Tawzih al-Masa&#039;il, p. 80.&amp;lt;/ref&amp;gt;, [[Naser Makarem Shirazi]]&amp;lt;ref&amp;gt;25.	Makarem Shirazi, Istifta&#039;at Jadid, Vol. 1, p. 158.&amp;lt;/ref&amp;gt;, and [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lotfollah &lt;/ins&gt;Safi &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Golpaygani&lt;/ins&gt;]]&amp;lt;ref&amp;gt;26.	Safi Golpaygani, Tawzih al-Masa&#039;il, p. 409.&amp;lt;/ref&amp;gt; have all deemed crafting sculptures of living beings, such as humans and animals, as prohibited.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Evidence of Prohibition  ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Evidence of Prohibition  ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l53&quot;&gt;Line 53:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 53:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;2.	Sayyid Ruhollah Khomeini: If a sculpture is made using machinery, it is not considered prohibited because the evidence for the prohibition of sculpture only applies to cases where an individual manually creates sculptures&amp;lt;ref&amp;gt;Makarem Shirazi, Istifta&amp;#039;at Jadid, Vol. 3, p. 168.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;2.	Sayyid Ruhollah Khomeini: If a sculpture is made using machinery, it is not considered prohibited because the evidence for the prohibition of sculpture only applies to cases where an individual manually creates sculptures&amp;lt;ref&amp;gt;Makarem Shirazi, Istifta&amp;#039;at Jadid, Vol. 3, p. 168.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;3.	[[Sayyid Abolqassem Musavi Khoei]], &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lutfollah &lt;/del&gt;Safi &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Golpayegani&lt;/del&gt;, and [[Ja’far Sobhani]]: Creating incomplete or partial sculptures of humans and other animals is permissible. However, Safi &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Golpayegani &lt;/del&gt;deems crafting a sculpture that includes major parts such as the head, face, and chest as problematic, adding that crafting sculptures of hands, feet, or heads alone is not problematic&amp;lt;ref&amp;gt;Khomeini, Al-Makasib al-Muharramah, Vol. 2, p. 177.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;3.	[[Sayyid Abolqassem Musavi Khoei]], &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Lotfollah &lt;/ins&gt;Safi &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Golpaygani]]&lt;/ins&gt;, and [[Ja’far Sobhani]]: Creating incomplete or partial sculptures of humans and other animals is permissible. However, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lotfollah &lt;/ins&gt;Safi &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Golpaygani &lt;/ins&gt;deems crafting a sculpture that includes major parts such as the head, face, and chest as problematic, adding that crafting sculptures of hands, feet, or heads alone is not problematic&amp;lt;ref&amp;gt;Khomeini, Al-Makasib al-Muharramah, Vol. 2, p. 177.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l74&quot;&gt;Line 74:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 75:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition to discussing the fundamental ruling on sculpture, jurists have also addressed related topics such as the “keeping, buying and selling of sculptures” and “destroying sculptures.”&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition to discussing the fundamental ruling on sculpture, jurists have also addressed related topics such as the “keeping, buying and selling of sculptures” and “destroying sculptures.”&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Keeping, Buying, and Selling Sculptures: ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Keeping, Buying, and Selling Sculptures: ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Most jurists have considered buying, selling, and keeping sculptures, even those depicting living beings, as permissible&amp;lt;ref&amp;gt;Tabrizi, Tawzih al-Masa&#039;il, p. 358.&amp;lt;/ref&amp;gt;. According to Khoei, the available evidence only indicates the prohibition of sculpture making, and there is no evidence prohibiting its keeping, buying, and selling&amp;lt;ref&amp;gt;51.	For example, see Khoei, Tawzih al-Masa&#039;il, p. 356; Tohidi Tabrizi, Misbah al-Fuqaheh, Vol. 1, p. 382; Sistani, Tawzih al-Masa&#039;il, p. 423; Khomeini, Tawzih al-Masa&#039;il, p. 275; Vahid Khorasani, Tawzih al-Masa&#039;il, p. 582; Fazel Lankarani, Tawzih al-Masa&#039;il, p. 395; Shobeiri Zanjani, Tawzih al-Masa&#039;il, p. 80.&amp;lt;/ref&amp;gt;. Among contemporary jurists, figures like &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lutfollah &lt;/del&gt;Safi &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Golpayegani &lt;/del&gt;and Naser Makarem Shirazi have deemed buying, selling, and owning sculptures of living beings, earning a living out of it and earning wages by making sculptures as prohibited&amp;lt;ref&amp;gt;	Tohidi Tabrizi, Misbah al-Fuqaheh, Vol. 1, p. 240.&amp;lt;/ref&amp;gt;. Sheikh Ansari considers keeping, buying, and selling sculptures of living beings as disliked (makruh)&amp;lt;ref&amp;gt;Sheikh Ansari, Kitab al-Makasib, Vol. 1, p. 197.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Most jurists have considered buying, selling, and keeping sculptures, even those depicting living beings, as permissible&amp;lt;ref&amp;gt;Tabrizi, Tawzih al-Masa&#039;il, p. 358.&amp;lt;/ref&amp;gt;. According to Khoei, the available evidence only indicates the prohibition of sculpture making, and there is no evidence prohibiting its keeping, buying, and selling&amp;lt;ref&amp;gt;51.	For example, see Khoei, Tawzih al-Masa&#039;il, p. 356; Tohidi Tabrizi, Misbah al-Fuqaheh, Vol. 1, p. 382; Sistani, Tawzih al-Masa&#039;il, p. 423; Khomeini, Tawzih al-Masa&#039;il, p. 275; Vahid Khorasani, Tawzih al-Masa&#039;il, p. 582; Fazel Lankarani, Tawzih al-Masa&#039;il, p. 395; Shobeiri Zanjani, Tawzih al-Masa&#039;il, p. 80.&amp;lt;/ref&amp;gt;. Among contemporary jurists, figures like &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Lotfollah &lt;/ins&gt;Safi &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Golpaygani]] &lt;/ins&gt;and Naser Makarem Shirazi have deemed buying, selling, and owning sculptures of living beings, earning a living out of it and earning wages by making sculptures as prohibited&amp;lt;ref&amp;gt;	Tohidi Tabrizi, Misbah al-Fuqaheh, Vol. 1, p. 240.&amp;lt;/ref&amp;gt;. Sheikh Ansari considers keeping, buying, and selling sculptures of living beings as disliked (makruh)&amp;lt;ref&amp;gt;Sheikh Ansari, Kitab al-Makasib, Vol. 1, p. 197.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Destroying Sculptures: ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Destroying Sculptures: ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to Alireza A’rafi, while explicit statements from early scholars regarding the prohibition to keep sculptures or the obligation to destroy them are not found, some jurists&amp;#039; statements can be interpreted to imply this obligation&amp;lt;ref&amp;gt;Abidinzadeh, Mujassameh wa Naqqashi: Taqrirat-e Dars-e Ayatollah A’arafi, p. 552.&amp;lt;/ref&amp;gt;. The evidence that may indicate the obligation to destroy sculptures and the prohibition to keep them include:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to Alireza A’rafi, while explicit statements from early scholars regarding the prohibition to keep sculptures or the obligation to destroy them are not found, some jurists&amp;#039; statements can be interpreted to imply this obligation&amp;lt;ref&amp;gt;Abidinzadeh, Mujassameh wa Naqqashi: Taqrirat-e Dars-e Ayatollah A’arafi, p. 552.&amp;lt;/ref&amp;gt;. The evidence that may indicate the obligation to destroy sculptures and the prohibition to keep them include:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sarfipour</name></author>
	</entry>
	<entry>
		<id>https://ency.feqhemoaser.com/en/index.php?title=Sculpture&amp;diff=2360&amp;oldid=prev</id>
		<title>Sarfipour: /* Study Resources */</title>
		<link rel="alternate" type="text/html" href="https://ency.feqhemoaser.com/en/index.php?title=Sculpture&amp;diff=2360&amp;oldid=prev"/>
		<updated>2026-04-20T15:44:57Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Study Resources&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:44, 20 April 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l121&quot;&gt;Line 121:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 121:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Rohani, Sayyid Mohammad Sadeq, Fiqh al-Sadiq, Qom, Imam Sadiq (AS) Seminary, 1412 AH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Rohani, Sayyid Mohammad Sadeq, Fiqh al-Sadiq, Qom, Imam Sadiq (AS) Seminary, 1412 AH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Sistani, Sayyid Ali, Tawzih al-Masa&amp;#039;il, Qom, Mehr Publications, 1415 AH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Sistani, Sayyid Ali, Tawzih al-Masa&amp;#039;il, Qom, Mehr Publications, 1415 AH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shobeiri &lt;/del&gt;Zanjani, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Musa&lt;/del&gt;, Tawzih al-Masa&#039;il, Qom, Wila Research Institute, 1384 SH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shubairi &lt;/ins&gt;Zanjani, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sayyid Mousa&lt;/ins&gt;, Tawzih al-Masa&#039;il, Qom, Wila Research Institute, 1384 SH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Sheikh Ansari, Morteza, Kitab al-Makasib, Qom, Bagheri Publications, 1415 AH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Sheikh Ansari, Morteza, Kitab al-Makasib, Qom, Bagheri Publications, 1415 AH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Safi Golpaygani, Jame&amp;#039; al-Ahkam, Qom, Office for the Compilation and Publication of the Works of Ayatollah Safi Golpaygani, 1385 SH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Safi Golpaygani, Jame&amp;#039; al-Ahkam, Qom, Office for the Compilation and Publication of the Works of Ayatollah Safi Golpaygani, 1385 SH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sarfipour</name></author>
	</entry>
	<entry>
		<id>https://ency.feqhemoaser.com/en/index.php?title=Sculpture&amp;diff=2359&amp;oldid=prev</id>
		<title>Sarfipour: /* Study Resources */</title>
		<link rel="alternate" type="text/html" href="https://ency.feqhemoaser.com/en/index.php?title=Sculpture&amp;diff=2359&amp;oldid=prev"/>
		<updated>2026-04-20T15:41:51Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Study Resources&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:41, 20 April 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l119&quot;&gt;Line 119:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 119:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Khomeini, Ruhollah, Tawzih al-Masa&amp;#039;il, Tehran, Organization for Printing and Publishing the Works of the Ministry of Culture and Islamic Guidance, 9th edition, 1372 SH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Khomeini, Ruhollah, Tawzih al-Masa&amp;#039;il, Tehran, Organization for Printing and Publishing the Works of the Ministry of Culture and Islamic Guidance, 9th edition, 1372 SH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Musavi Khoei, Sayyid Abolqassem, Tawzih al-Masa&amp;#039;il, Qom, Mehr Publications, 1412 AH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Musavi Khoei, Sayyid Abolqassem, Tawzih al-Masa&amp;#039;il, Qom, Mehr Publications, 1412 AH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Rouhani&lt;/del&gt;, Mohammad &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sadiq&lt;/del&gt;, Fiqh al-Sadiq, Qom, Imam Sadiq (AS) Seminary, 1412 AH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Rohani&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sayyid &lt;/ins&gt;Mohammad &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sadeq&lt;/ins&gt;, Fiqh al-Sadiq, Qom, Imam Sadiq (AS) Seminary, 1412 AH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Sistani, Sayyid Ali, Tawzih al-Masa&amp;#039;il, Qom, Mehr Publications, 1415 AH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Sistani, Sayyid Ali, Tawzih al-Masa&amp;#039;il, Qom, Mehr Publications, 1415 AH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Shobeiri Zanjani, Musa, Tawzih al-Masa&amp;#039;il, Qom, Wila Research Institute, 1384 SH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Shobeiri Zanjani, Musa, Tawzih al-Masa&amp;#039;il, Qom, Wila Research Institute, 1384 SH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sarfipour</name></author>
	</entry>
	<entry>
		<id>https://ency.feqhemoaser.com/en/index.php?title=Sculpture&amp;diff=2358&amp;oldid=prev</id>
		<title>Sarfipour: /* Study Resources */</title>
		<link rel="alternate" type="text/html" href="https://ency.feqhemoaser.com/en/index.php?title=Sculpture&amp;diff=2358&amp;oldid=prev"/>
		<updated>2026-04-20T15:34:34Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Study Resources&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:34, 20 April 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l118&quot;&gt;Line 118:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 118:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Khomeini, Ruhollah, Tahreer al-Wasilah, Tehran, Institute for Compilation and Publication of Imam Khomeini&amp;#039;s Works, 1379 SH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Khomeini, Ruhollah, Tahreer al-Wasilah, Tehran, Institute for Compilation and Publication of Imam Khomeini&amp;#039;s Works, 1379 SH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Khomeini, Ruhollah, Tawzih al-Masa&amp;#039;il, Tehran, Organization for Printing and Publishing the Works of the Ministry of Culture and Islamic Guidance, 9th edition, 1372 SH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Khomeini, Ruhollah, Tawzih al-Masa&amp;#039;il, Tehran, Organization for Printing and Publishing the Works of the Ministry of Culture and Islamic Guidance, 9th edition, 1372 SH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Khoei, Sayyid &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Abul-Qasim&lt;/del&gt;, Tawzih al-Masa&#039;il, Qom, Mehr Publications, 1412 AH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Musavi &lt;/ins&gt;Khoei, Sayyid &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Abolqassem&lt;/ins&gt;, Tawzih al-Masa&#039;il, Qom, Mehr Publications, 1412 AH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Rouhani, Mohammad Sadiq, Fiqh al-Sadiq, Qom, Imam Sadiq (AS) Seminary, 1412 AH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Rouhani, Mohammad Sadiq, Fiqh al-Sadiq, Qom, Imam Sadiq (AS) Seminary, 1412 AH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Sistani, Sayyid Ali, Tawzih al-Masa&amp;#039;il, Qom, Mehr Publications, 1415 AH.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#	Sistani, Sayyid Ali, Tawzih al-Masa&amp;#039;il, Qom, Mehr Publications, 1415 AH.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sarfipour</name></author>
	</entry>
	<entry>
		<id>https://ency.feqhemoaser.com/en/index.php?title=Sculpture&amp;diff=2357&amp;oldid=prev</id>
		<title>Sarfipour: /* Perspective of Sunni Schools */</title>
		<link rel="alternate" type="text/html" href="https://ency.feqhemoaser.com/en/index.php?title=Sculpture&amp;diff=2357&amp;oldid=prev"/>
		<updated>2026-04-20T15:26:42Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Perspective of Sunni Schools&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:26, 20 April 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l84&quot;&gt;Line 84:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 84:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Perspective of Sunni Schools ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Perspective of Sunni Schools ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the four main Sunni schools of thought, namely [[Maliki school]], &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shafe’i&lt;/del&gt;, Hanafi, and Hanbali, creating sculptures of living beings, such as humans and animals, is considered prohibited&amp;lt;ref&amp;gt;al-Jaziri, Kitab al-Fiqh &#039;ala al-Madahib al-Arba&#039;ah, Vol. 2, p. 40-41.&amp;lt;/ref&amp;gt;. [[Abd al-Rahman al-Jaziri]], an Egyptian jurist and scholar, argues that if sculpture serves legitimate purposes such as education and training, it falls outside the realm of the prohibition&amp;lt;ref&amp;gt;al-Jaziri, Kitab al-Fiqh &#039;ala al-Madahib al-Arba&#039;ah, Vol. 2, p. 40.&amp;lt;/ref&amp;gt;. He mentions that some Sunni schools, like the Maliki school, consider the creation, buying, and selling of dolls for girls permissible, that they learn child-rearing through play&amp;lt;ref&amp;gt;al-Jaziri, Kitab al-Fiqh &#039;ala al-Madahib al-Arba&#039;ah, Vol. 2, p. 40.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the four main Sunni schools of thought, namely [[Maliki school]], &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Shafi&#039;i school]]&lt;/ins&gt;, Hanafi, and Hanbali, creating sculptures of living beings, such as humans and animals, is considered prohibited&amp;lt;ref&amp;gt;al-Jaziri, Kitab al-Fiqh &#039;ala al-Madahib al-Arba&#039;ah, Vol. 2, p. 40-41.&amp;lt;/ref&amp;gt;. [[Abd al-Rahman al-Jaziri]], an Egyptian jurist and scholar, argues that if sculpture serves legitimate purposes such as education and training, it falls outside the realm of the prohibition&amp;lt;ref&amp;gt;al-Jaziri, Kitab al-Fiqh &#039;ala al-Madahib al-Arba&#039;ah, Vol. 2, p. 40.&amp;lt;/ref&amp;gt;. He mentions that some Sunni schools, like the Maliki school, consider the creation, buying, and selling of dolls for girls permissible, that they learn child-rearing through play&amp;lt;ref&amp;gt;al-Jaziri, Kitab al-Fiqh &#039;ala al-Madahib al-Arba&#039;ah, Vol. 2, p. 40.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sarfipour</name></author>
	</entry>
	<entry>
		<id>https://ency.feqhemoaser.com/en/index.php?title=Sculpture&amp;diff=2356&amp;oldid=prev</id>
		<title>Sarfipour at 12:36, 20 April 2026</title>
		<link rel="alternate" type="text/html" href="https://ency.feqhemoaser.com/en/index.php?title=Sculpture&amp;diff=2356&amp;oldid=prev"/>
		<updated>2026-04-20T12:36:31Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:36, 20 April 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l84&quot;&gt;Line 84:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 84:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Perspective of Sunni Schools ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Perspective of Sunni Schools ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the four main Sunni schools of thought, namely &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Maleki&lt;/del&gt;, Shafe’i, Hanafi, and Hanbali, creating sculptures of living beings, such as humans and animals, is considered prohibited&amp;lt;ref&amp;gt;al-Jaziri, Kitab al-Fiqh &#039;ala al-Madahib al-Arba&#039;ah, Vol. 2, p. 40-41.&amp;lt;/ref&amp;gt;. [[Abd al-Rahman al-Jaziri]], an Egyptian jurist and scholar, argues that if sculpture serves legitimate purposes such as education and training, it falls outside the realm of the prohibition&amp;lt;ref&amp;gt;al-Jaziri, Kitab al-Fiqh &#039;ala al-Madahib al-Arba&#039;ah, Vol. 2, p. 40.&amp;lt;/ref&amp;gt;. He mentions that some Sunni schools, like the Maliki school, consider the creation, buying, and selling of dolls for girls permissible, that they learn child-rearing through play&amp;lt;ref&amp;gt;al-Jaziri, Kitab al-Fiqh &#039;ala al-Madahib al-Arba&#039;ah, Vol. 2, p. 40.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the four main Sunni schools of thought, namely &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Maliki school]]&lt;/ins&gt;, Shafe’i, Hanafi, and Hanbali, creating sculptures of living beings, such as humans and animals, is considered prohibited&amp;lt;ref&amp;gt;al-Jaziri, Kitab al-Fiqh &#039;ala al-Madahib al-Arba&#039;ah, Vol. 2, p. 40-41.&amp;lt;/ref&amp;gt;. [[Abd al-Rahman al-Jaziri]], an Egyptian jurist and scholar, argues that if sculpture serves legitimate purposes such as education and training, it falls outside the realm of the prohibition&amp;lt;ref&amp;gt;al-Jaziri, Kitab al-Fiqh &#039;ala al-Madahib al-Arba&#039;ah, Vol. 2, p. 40.&amp;lt;/ref&amp;gt;. He mentions that some Sunni schools, like the Maliki school, consider the creation, buying, and selling of dolls for girls permissible, that they learn child-rearing through play&amp;lt;ref&amp;gt;al-Jaziri, Kitab al-Fiqh &#039;ala al-Madahib al-Arba&#039;ah, Vol. 2, p. 40.&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sarfipour</name></author>
	</entry>
</feed>